I don't think it will ever happen as the Rock and Roll hall of fame is American centric. The Prodigy are only known to the mainstream in the US for 'Firestarter', 'Breathe' and 'The Fat of the Land'.

Even in the UK when the media do pieces on bands of the '90s it's all Oasis, Blur and the Spice Girls. The Prodigy never get a mention.

Liam has said in the past he feels The Prodigy don't get the respect they deserve from the media for their achievements and he's correct. Bands with much less success, longevity or cultural impact are lauded.

I've no interest in what awards a band wins. The Chemical Brothers win Grammy awards pretty much every time they release something. E.g. "Best Rock Instrumental Performance" (Block Rockin' Beats), "Best Alternative Music Album" (Dig Your Own Hole), "Best Dance Recording" (Galvanize), etc. The very name of those awards are ridiculous/niche. In most of these music awards (especially American awards) each category of music only competes with the 'same' type of music. Award shows are just a night out for the music industry.

Liam has said in the past he feels The Prodigy don't get the respect they deserve from the media for their achievements and he's correct. Bands with much less success, longevity or cultural impact are lauded.

I truly like Chemical Brother specially around the time Dig your hole, Exit Planet Dust and Surrender were released.. But since then they have entered into this kind of weird "salon eligible" level where everything they do is widely praised by critics and media all around the world even if their music has truly turned to be this kind of bland and disposable garbage at times.

it is kind of odd with Chemical Brothers. on their last album No Geography, they released Free Yourself, which in my opinion is the most "Paint by number" chemical track ever, sounds bland and like it could have been released anytime in the past 15 years. but on the other side, they also released We've Got To Try, which the most impressive track I've heard from them in a while. it combines swag hip hop beats, acidic 303, devoted female vocals, vintage melody and choruses... all in 3 minutes

I don't know how they manage to go to both extremes, but they do

I think it is a 'Big Label' vs Indie label thing

being on an indie label (especially since they were Cooking Vinyl) had the upside to allow them to work the way they want and to the pace they want, but had the downside of not having the proper promotion methods and power to be heard in North America. I knew Prodigy albums were coming out because I am an hardcore fan and kept up to date, certainly not because media told me. I even sent a message to a now-defunct local music channel that IMD was coming, and only after I told them the news appeared on their website. at least with XL I can name a few bands that are signed to it (Radiohead, M.I.A., Kaytranada). with Cooking Vinyl I can't name any artist that are signed to them off the top of my head

Chemical Brothers have always been with Virgin/EMI, which, from my impressions, are bigger names

It's often said, to 'break' America bands/artists have to go on tour for months on end across the whole of the USA. A lot of artists/bands can't be bothered with that. They could do a UK tour which goes to most of the major cities (even if it wasn't to your nearest city you could probably get to your closest gig with a 1 to 3 hour drive) in two weeks without getting on a plane. The time and effort required to get 'known' in the US was huge (I'm talking about the pre-social media days).

I've read comments from people from the USA describe The Prodigy as a "two hit wonder". To those people they probably were but they have no comprehension of the popularity outside the USA (or interest).

I doubt it would make much difference which record label The Prodigy were signed to as far as success in the USA goes.