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<  PRODIGY MUSIC / GENERAL  ~  Maxim - Respect

PostPosted: Mon Apr 24, 2017 4:32 pm
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PostPosted: Wed Apr 26, 2017 6:25 pm
User avatarProdigious ArabPosts: 4058Location: The Dark SideJoined: Sun Sep 03, 2006 5:22 pm


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PostPosted: Thu Apr 27, 2017 7:12 am
User avatarGeneralGeneralPosts: 2849Location: italyJoined: Sat Sep 02, 2006 3:44 pm
Off-topic question: do you know how is it possible to sell your own productions on this site (junodownload)? Thank you in advance.



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PostPosted: Sun Apr 30, 2017 10:03 pm
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PostPosted: Fri Sep 06, 2019 5:03 pm
GeneralGeneralPosts: 1435Joined: Sat Sep 02, 2006 2:52 pm
Maxim - Freedom (featuring Nadia Harris McAnuff)
was released today and can be listened to on e.g. Spotify.

Image


Last edited by James Jupiter on Sat Sep 07, 2019 11:17 am, edited 1 time in total.

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PostPosted: Sat Sep 07, 2019 11:16 am
User avatarGeneralGeneralPosts: 1109Location: GreeceJoined: Sat Jan 19, 2008 2:32 pm
PEERMUSIC UK SIGNS THE PRODIGY’S MAXIM REALITY TO EXCLUSIVE GLOBAL PUBLISHING DEAL

https://www.musicbusinessworldwide.com/ ... hing-deal/



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PostPosted: Sat Sep 07, 2019 11:22 am
GeneralGeneralPosts: 1435Joined: Sat Sep 02, 2006 2:52 pm
GL0WKiD wrote:
PEERMUSIC UK SIGNS THE PRODIGY’S MAXIM REALITY TO EXCLUSIVE GLOBAL PUBLISHING DEAL

https://www.musicbusinessworldwide.com/ ... hing-deal/


Quote:
SEPTEMBER 6, 2019 BY MURRAY STASSEN

Peermusic UK has signed writer, producer and vocalist Maxim (also known as Maxim Reality) to an exclusive global publishing deal.

The news was announced by Nigel Elderton, President, Europe & Managing Director, peermusic UK and Richard Martin, Synchronisation Manager, peermusic.

The agreement encompasses future works as well as Maxim’s entire back catalog, including his work as part of the Prodigy.

Song highlights from his catalog include his share of the Prodigy hits Breathe, Poison and Omen, as well as multiple successful solo albums. peermusic will also partner with Maxim for a joint venture as part of the deal, allowing him to sign and develop writers to his publishing company Red Room Arts Limited.

Maxim first rose to prominence as part of the Prodigy.

He co-wrote many of the group’s massive hits, including Poison and Breathe, before shifting his focus to composing solo material in the late ’90s.

His solo albums include Hell’s Kitchen (2000) and Fallen Angel (2005), and among his singles are Carmen Queasy (No.33 in the UK charts) and Scheming.

Nigel Elderton said: “From his era-defining songs with the Prodigy to his boundary-pushing work as a solo artist, Maxim has always fearlessly pursued his singular artistic vision.

“I’m thankful to Richard for all his hard work to get this deal done, and I’m thrilled to welcome Maxim to the peermusic family.”

Richard Martin, Synchronisation Manager, peermusic added: “Maxim is the kind of artist you dream of signing. He’s a living legend, and he’s got many incredible chapters ahead of him.

“We’re very excited about the music he’s preparing to share with the world, and it is a privilege to be part of the next step of his career.”


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PostPosted: Wed Sep 11, 2019 2:14 pm
User avatarA.K.A. feelxPosts: 3035Location: Montréal, QCJoined: Sun Jul 15, 2007 11:32 pm
So does this mean Peermusic is gonna be able to release tracks like Breathe, Poison?

And does this mean its also gonna have BMG's consent to do so? Just curious how these thinvs work.



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PostPosted: Wed Sep 11, 2019 3:15 pm
User avatarPrivatePrivatePosts: 225Joined: Wed Jan 25, 2017 9:32 pm
Didn't Peermusic release Gun on one of their sample discs?


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PostPosted: Wed Sep 11, 2019 4:15 pm
GeneralGeneralPosts: 1435Joined: Sat Sep 02, 2006 2:52 pm
feelthy wrote:
So does this mean Peermusic is gonna be able to release tracks like Breathe, Poison?

And does this mean its also gonna have BMG's consent to do so? Just curious how these thinvs work.


I guess the writing ownership of a track is split for royalty payment purposes. For example, say Liam owns 50% of a track (so 50% of royalties go via BMG) and Maxim owns 40% (40% of royalties go via Peermusic) and say there was a sample that was licensed, maybe 10% of the royalties go to the sample originator, for example Kool Keith, via the publishing company they are with.

Not sure how it works regarding permission to license the use of tracks. I guess as long as the writers agree on the use of the track, the earnings are handled via the publishing companies.

I always wondered if Liam was allowed to release unreleased tracks (or re-release tracks) he recorded during the XL Recordings years. I think BMG have the rights to release anything from the XL Recordings days now. You'd hope Liam owns the rights to his own music. Michael Jackson famously bought the publishing rights to The Beatles catalog much to the annoyance of Paul McCartney.

https://www.biography.com/news/michael- ... ic-catalog


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