Your order’s in the post, and should be with you soon. In case you need them, here are the details:

Qty Format Artist Title Price Estimated Times
1 CD PRODIGY INVADERS MUST DIE: DELUXE BOX £39.99 2-5 days

no mail from prodigy yet


but i got a notification that my jap imd will be here in 4 to 12 days, i hope its 4

a little offtopic but not worth making a new topic for:


is prodigy at the brit awards tonight seen it was happening tonight on the news i'm not sure,

Amazon.co.uk Review
Invaders Must Die finds the Prodigy line-up of Liam Howlett, Keith Flint, and Maxim Reality back together on record for the first time since 2002’s ill-fated, subsequently disowned “Baby’s Got A Temper”. This doesn’t mark a return to the bad old days of punk-rave cabaret, though. No, in fact, Invaders Must Die finds The Prodigy delving even further back into their history, an attempt to recapture the heady rave vibes, one-finger keyboard riffs, and concussive breakbeats of 1992’s Experience and its epochal follow-up, 1994’s Music For A Jilted Generation. True, sometimes it feels a little too transparent in its eagerness to recapture past glories: “Thunder”, with its loping reggae vocal, is undeniably Howlett on form, but it apes the formula of 1992’s “Out Of Space” a little too closely for comfort. Still, the likes of “Omen” and “Take Me To The Hospital” are agreeably back-to-basics cuts that merge nagging melodies and fairground waltzer queasiness with a weighty production job that renders them muscular enough to compete on a level playing field with Justice, Pendulum, et al. “Run With The Wolves” is the one track that harks strongly back to Fat Of The Land, a gnarled, rocky number with Dave Grohl on live drums that finds Keith Flint claiming to be “hung like a hound”. The closing “Stand Up” is a late surprise, meanwhile, a euphoric set-closer with hints of Screamadelica-era Primal Scream. --Louis Pattison

CD Description
'Invaders Must Die' is the fifth studio album by British electronic act the Prodigy. As one of the most successful and respected dance groups of recent times, this album sees the return of both Keith Flint and Maxim to the fold for their most exciting album to date. Included are collaborations withDave Grohl (Foo Fighters) and James Rushent (Does It OffendYou Yeah).